February 2, 2018

Robert Cohen-solal - Les Shadoks-collectors Edition / 50th Anniversary Vinyl Collectors Editio


Les Shadoks (50th Anniversary Edition) - Collector's VINYL Edition (LP + 7"): High glossy gatefold sleeve, French + English liner notes / poster inlay with Shadok drawing by Robert Cohen-Solal, hype sticker

- Les Shadoks soundtrack by Robert Cohen-Solal available for the first time ever in its entirety, cut and mastered from the original reels, made in cooperation with the artist.
- For fans of musique concrète, electro-acoustic, psychedelic, early electronics, experimental, soundtrack, library, oddities, cartoons, 60s and 70s music, Prospective 21ème Siècle series, Bernard Parmegiani, Jean-Jacques Perrey, Luc Ferrari, Pierre Schaeffer, Pierre Henry, Bruno Spoerri, Groupe de recherches musicales (GRM).

WRWTFWW Records is delighted to announce the release of the complete soundtrack of cult French animated TV series Les Shadoks (1968-1974) by Robert Cohen-Solal, available for the first time ever in its entirety. Right in time to celebrate the 50th anniversary of Jacques Rouxel and René Borg's legendary television cartoon, this collector's item comes in two versions: a limited edition 12" + 7" vinyl album housed in a high glossy gatefold and with an exclusive Shadok drawing by Robert Cohen-Solal, and a digipack CD. Both versions are cut and mastered from the original reels under the supervision of the artist, and contain liner notes in French and English.

Electro-acoustic pioneer and eminent member of the illustrious GRM (Groupe de recherches musicales, the French equivalent of the BBC Radiophonic Workshop), Robert Cohen-Solal has explored music and sound alongside luminaries such as Bernard Parmegiani, Pierre Henry, Luc Ferrari, and Iannis Xenakis, and is responsible for numerous projects in the field of applied music, soundtracks (documentaries, shorts etc.), and experimental recordings. His work on Les Shadoks is simply extraordinary - a fascinating and bizarre collage of wacky electro pop (à la Jean-Jacques Perrey), drones, musique concrète, classical, and dadaist sound experiments seamlessly mixing into a cohesive and cinematic listening experience. The ideal soundtrack for what will remain one of the weirdest animated TV series ever created!

A true literary, cultural and philosophical phenomenon in France, Les Shadoks caused a sensation while airing between 1968 and 1974. Its unique combination of Alfred Jarry-style surrealism, off-centered British humor, and US comic strip inspiration, all brought to life by illustrated bird-like creatures (reminiscent of Paul Klee's La machine à gazouiller), left a lasting mark, making the term Shadok an often-used satirical expression to describe policies and attitudes considered to be absurd.


January 8, 2018

Acid Bowie - Acid Bowie (Vinyl only LP)

AB01Ziggy Stardust’s yet unheard instrumental album after he returned from a trip on his Gemini spaceship.


December 15, 2017

Arnaud Rebotini - 120 BPM - Original Soundtrack LP

bec5543195 House music broke through in 1987, at the same time when AIDS arrived in France with the first contamination peak in gay and drug addict circles. In 1989, the founders of Act-Up Paris knew that both the fight against AIDS and triumphant house music should be joined together. Tracklist: VINYL SIDE A A1. 120 Battements Par Minute A2. Premiers Battements A3. Sean & Nathan la Nuit A4. Meltonpharm A5. Jeremie est Mort du Sida A6. Pride A7. La Parade SIDE B B1. Smalltown Boy (Arnaud Rebotini Remix) B2. Le Scanner B3. Le Premier Club B4. AZT DDI DDC B5. Le Pont B6. Sean & Nathan Short info: House music broke through in 1987, at the same time when AIDS arrived in France with the first contamination peak in gay and drug addict circles. In 1989, the founders of Act-Up Paris knew that both the fight against AIDS and triumphant house music should be joined together. From 1992 to 1995, the period covered by “120 BPM", house reached its most beautiful plateau even though techno was becoming dominant. “120 BPM” is a get-together moment through clubbing, this moment where fears are forgotten by dancing with one’s friends, what we called “the chosen family” at Act-Up. Boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. This is their activist recess. Arnaud Rebotini, composing the soundtrack of Robin Campillo’s previous film, “Eastern Boys", is a recognized DJ, a composer and a kind man, which is for me the most important quality. Here, his work is marked by restraint of his love for house and after techno. I believe he deliberately withdrew himself in relation to the film’s power and the AIDS theme. 



November 29, 2017

Prins Thomas - Prins Thomas 5 (Gold Print,BPInner,2LP+ WAV+MP3) - New 2017 Album -

ptm001After the slightly more conceptual "Principe del Norte"album, "5" takes two steps forward and one step back
collecting a batch of tracks that was recorded right after it's preceder and in tandem with the recent "Square One"album with Bjørn Torske.
A "freedom"album of sorts, beyond the slightly misleading album opener "Here comes the band" there's a variety in these tracks tracing inspiration from 35 years (unhealthy)obsession with all things "good music" played enthusiastically.
"5" also marks the launch of my new label "Prins Thomas Musikk".

A run through the tracks with a couple of hints to titles and inspiration:

"Here comes the band"
A planned album of a fake band consisiting of me only was ditched. This is their only entry...
Very loosely inspired by "Bandwagonesque"era Teenage Fanclub

Melodic ideas hummed into a handheld recorded and specific notes about instrumentation scribbled down while on holiday in Villajoyosa in Spain turned into this little ditty when back in slightly colder Norway. 

"Bronchi Beat"
Made in bed during a rough patch of bronchitis. Heavily influenced by prescription cough medicine.
Orbe from Madrid made a dizzy techno version which comes out soon enough...

Athens (Outside Databank´s The title shoudl be spelled in Greek letters)
I find great inspiration in working on new ideas while travelling the skies. Partly inspired by a detour into the soundtrack of my early teens (Paul Hardcastle, Warp 9, Maze, Mtume...)this particular one was started on a bumpy flight home from Athens and later finished in my tiny M57 Studio(R.I.P.)

Another bronchitis-ridden idea. Slow and low is the tempo. Beat originally inspired by Brian Briggs "AEO", melodies beamed in from Wally Badarou.
"Æ"is the norwegian pronounciation of the A in Acid refering to the 303 screeches going through the "song"

By the title you might think I'm running out of ideas. Not sure what happened here and why...

"Lunga Strada"
The track that took me the longest to complete hence the "long road".  
Personal favourites The Pilotwings from Lyon sent over 2 ridiculously good and fun remixes which will
be released on a separate 10" 

"London til Lisboa"
Another idea made on a plane when I should have tried to catch some sleep. 
Direction steered by Plaid and Pat Metheny. Thank you for the inspiration

Initially the final track AND then: scrapped idea for the alphabet soup of "Principe del Norte". 
Later evolved into what we have here. Comes with a really nice remix by Pional on a separate 12"

"Venter på Torske"
The final recorded addition to the album. Made while waiting for Bjørn Torske to reply on a text message...

"Aske Hermansen"
In all seriousness, this is probably as soppy as it gets with me. 
Tears into my computer keyboard, made on the road missing my wife and kids. 

Prins Thomas , Asker, Norway, Autumn 2017


November 22, 2017

Wolfgang Tillmans - Hamburg Süd/ Nee Iyaow Eow Eow (Kunstverein In Hamburg 2017)

fragile05CD includes a 35-minute sound installation audio piece, in DVD case, 48-page booklet. Publication is being released as part of the exhibition: Wolfgang Tillmans: There were 30 years between 1943 and 1973. 30 years from 1973 was the year 2003 at Kunstverein in Hamburg from 23 September to 12 November 2017. Recordings, sleeve and booklet by Wolfgang Tillmans. Tracklist: Tracklist: Hamburg Süd / Nee IYaow eow eow 1 Hamburg Süd part 1 2 MMMMM aah 3 Hamburg Süd part 2 4 HaHaHaHa 5 Hamburg Süd part 3 6 Nee IYaow eow eow 7 Hamburg Süd part 4 8 EEEEEEEhh 9 Hamburg Süd part 5 10 Device Control (intro) 11 Hamburg Süd part 6 Further listening: 12 It’s Completely Changed 13 Throw A View 14 Mmmmeehh 15 Hihihi hee 16 Soda Stream 17 Overdub (calm to chaos Jul28) 18 Morning Return 19 Make It Up As You Go Along 20 Device Control Info: Wolfgang Tillmans has devised a 35-minute sound installation as part of the exhibition. The installation takes the exhibition’s inner-city context as its starting point, and operates in conjunction with numerous photographs (from a variety of Tillmans’ work phases) and video works to transform the space into a single cinematic whole. The Kunstverein in Hamburg is now releasing the 35-minute sound work Hamburg Süd / Nee IYaow eow eow as a CD, accompanied by a 48-page booklet that features exhibition views photographed and designed by Wolfgang Tillmans. Electronic manipulations of Tillmans’ own voice, made to sound alternately choral, guttural and absurd, are mixed with a kind of sung evocation of the four directions of the compass - to which the exhibition hall is almost exactly aligned. To provide this counterpart voice, Tillmans invited the Hamburg-born and internationally renowned singer Billie Ray Martin. The alternating singing styles are embedded within long silent pauses, when visitors can hear noise from the two routes of traffic between